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|-------------------------------------------------------------| |-------------------------------------------------------------| |--------12--14b16r14--14--12--12h14~-------------------------| |-12h14-------------------------------12/14--12/14------------| |---------------------------------------------------12--12/14-| |-------------------------------------------------------------| |------------------------------------------------| |--------------------------------------15--------| |---------------------------12--14b16------12h14-| |-------------------12--14-----------------------| |--------10--12/14-------------------------------| |-10/12------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------12--14b16r14--12--14----------------------------| |--------12--14-------------------------------------------14-----| |-12h14----------------------------------------10--12/14------14-| |--------------------------------------10--12--------------------| |-----------------7--8--7--5--3-| |-----------------7--8--7--5--3-| |-------------------------------| |-12~---------------------------| |------12h14--12----------------| |-------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash