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|--------------------------------------------------------------| |-----0-------0-----------0---1-----------------0--------------| |---------------------2----------------0---2-------------------| |---2---2---2---2---2---2---2---2----0---0---0-----------------| |-3-------3-------3--------------------------------------------| |----------------------------------3---------------------------| |--------------------------------------------------------------| |-----0-------0-----------0---1----------------0---------------| |---------------------2----------------0---2-------------------| |---2---2---2---2---2---2---2---2----0---0---0---0-------------| |-3-------3-------3--------------------------------------------| |----------------------------------3---------------------------| |--------------------------------------------------------------| |-0--3-0---0--0-----0---3-----0--------------------------------| |-0--2-0---0--0-----0---2-----0--------------------------------| |-2--0-0---0--2-----2---0-----0--------------------------------| |-2--------2--3-----2------------------------------------------| |-0----3------------0---2-----3--------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash