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|--------------------------------------------------------| |--5-----------------------------------------------------| |--7b-5b---5b----------------5-5------------5b-----------| |--------7-------------5h7-5-----7-5h7-5h7-----7---------| |--------------3-2-0-------------------------------3-2-0-| |--------------------------------------------------------| |-------------------------------------| |--5----------5-----------------------| |--7b-7p5-7p5-7b-7-5-7-5-7-5----------| |----------------------------7--------| |-------------------------------3-2-0-| |-------------------------------------| |---------------------------------------| |---------------------------------------| |-5-5-5-5-----------5-5-5-5-5-----------| |---------7-5-7-5-7-----------7-5-7-5-7-| |---------------------------------------| |---------------------------------------| |-----------------------------| |-----------------------------| |---------5-5-5-5-5-----------| |-----5h7-----------7-5-7-5-7-| |-5h7-------------------------| |-----------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash