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|---------------------------------------------------------------| |---------------------------------------------------------------| |-----------------------------5---------7-----4---------7-------| |---------------6-------7-------5-----7---------4-----7---------| |---------6---4-------7---7-3-----3/5-----0-2-----2/5-----------| |-0-x-0-4---0-----0-5-------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |-----------------------------5---------7-----------------------| |---------------6-------7-------5-----7-------------------------| |---------6---4-------7---7-3-----3/5---------------------------| |-0-x-0-4---0-----0-5-------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |-0--4--4-4-4/7-7-7--0------------------------------------------| |-0--4--4-4-4/7-7-7--0------------------------------------------| |-0--2--2-2-2/5-5-5--0------------------------------------------| |---------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash