* This content is licensed by BMI
|----------------------------------------------------| |----------------------------------------------------| |--------4b-----------4b--------------------------4b-| |--2-2---------3-3-----------0---4--4-----4----------| |--0-0---------3-3-----------0---0-----0------3------| |--------------3-3-----------0-----------------------| |-------------------------------------------------| |-------------------------------------------------| |---------4b-----------4b----------------------4b-| |--2-2----------3-3-------------4---4-------------| |--0-0----------3-3---------0---0------0---3------| |---------------3-3---------0---------------------| |------------------------------------| |------------------------------------| |------------------------4b---4b--4b-| |--3-3-3-3-3-3-3-3--0----------------| |--3-3-3-3-3-3-3-3--0----------------| |--3-3-3-3-3-3-3-3--0----------------| |----------------------------------------| |----------------------------------------| |----------------------------------------| |-3-3-3-3-3-3-3-3-----2h4--4--4--------0-| |-3-3-3-3-3-3-3-3--0-------------3--3--0-| |-3-3-3-3-3-3-3-3--0---------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash