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|-----------------------------0----------| |-------3----------3--------3---3----3-3-| |-----0---0------0---0----2-------2--2-2-| |---0----------2--------0----------------| |------------3---------------------------| |-3--------------------------------------| |-------------------------0----------------------------------| |-------3----------3------2--3--3-------------3------4--4----| |-----0---0------0---0-------2--0-----------0---0----2--2----| |---0----------2--------0---------4-2-0---2------------------| |------------3--------------------------3----------2-------2-| |-3----------------------------------------------------------| |------------------------------------2--0----------| |-------3----------3----------3------3--3--3--3----| |-----0---0------0---0------0---0----------2--0----| |---2----------0----------2--------0-------------4-| |-3---------------------3--------------------------| |------------3-------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash