* This content is licensed by BMI
3x |----|--------------------| |----|--------------------| |----|--------------------| |----|--------------------| |----|--8--6-----6--8-----| |--8-|--------8--------8~-| 4x |----------------|-----------------| |----------------|-----------------| |----------------|-8--8--8---------| |----------------|-8--8--8---------| |--8--6-----6--8-|-6--6--6--8p6----| |--------8-------|-6--6--6-------6-| |----------------------| |----------------------| |-10--10--10-----------| |-10--10--10-----------| |--8---8---8--8--------| |--8---8---8-----10--8-| |---------------|----------------------|-------------------| |---------------|----------------------|-------------------| |-10--10--10--8-|----------------------|-------------------| |-10--10--10--8-|----------------------|-------------------| |--8---8---8--6-|----8--6-----6--8-----|-8--6-----6--8-----| |--8---8---8--6-|-8--------8--------8~-|-------8--------8~-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash