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|-------19----------------------19------------| |-19b21-----b21r19-17-----19b21-----b21r19-17-| |---------------------18----------------------| |---------------------------------------------| |---------------------------------------------| |---------------------------------------------| |-------------------------------------------------| |------------------------------12b14--12-9--------| |-14b16-14-12-14-14b16-12-------------------11-9\-| |--------------------------14---------------------| |-------------------------------------------------| |-------------------------------------------------| |---------------------------------------------------| |-------15-------------------15b17-15-12------------| |-14b16----16r-14-12-14------------------14-12--14/-| |------------------------14/------------------------| |---------------------------------------------------| |---------------------------------------------------| |-------------------------------20b22...----------------| |-19b21--19b21-------20-17-17\--------------17-19b--17\-| |--------------18-16---------------------18-------------| |-------------------------------------------------------| |-------------------------------------------------------| |-------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash