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|-----------------------------------------------| |---6-8-----6-8--6h8p6-----------8-10-11-10-8/6-| |-7-------8-------------7-5-3--8----------------| |-----------------------------------------------| |-----------------------------------------------| |-----------------------------------------------| |---------------------------------------| |---6-8--6/8-8\6-8p6--------------------| |-7------------------7--3-5-7-7-5-3-5/7-| |---------------------------------------| |---------------------------------------| |---------------------------------------| |----------------------------------------------| |---6-8-----6-8--6/8\6-6/8\6--6-8-10-11-10-8-6-| |-7-------8------------------------------------| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| |---------------------------------------------------| |----10/11-11-11----10/11-11--11b12-11b12-11b12r11~-| |-/8-------------10---------------------------------| |---------------------------------------------------| |---------------------------------------------------| |---------------------------------------------------| |--------------------| |---6-8-8---6-8/11p8-| |-7-------8----------| |--------------------| |--------------------| |--------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash