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|-1-1-1-1-1-1-1-1----------------------------------------------| |-3-3-3-3-3-3-3-3--1-1-1-1-1-1-1-1-----------------------------| |-2-2-2-2-2-2-2-2--2-2-2-2-2-2-2-2-----------------------------| |-0-----------0----3-3-3-3-3-3-3-3-----------------------------| |--------------------------------------------------------------| |------------------1-----------1-------------------------------| |-0-0-0-0-0---0-1----------------------------------------------| |-1-1-1-1-1-3-1----3-3-3-3-3-3-3-3-----------------------------| |-0-0-0-0-0---0----3-3-3-3-3-3-3-3-----------------------------| |------------------3-3-3-3-3-3-3-3-----------------------------| |-3-----------0----1-----------1-------------------------------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash