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|-------0--0------------0---0------------0----0-----| |-------0--0----3-------0---0---3--------0----0---3-| |-------0--0----2-------0---0---2--------0----0---2-| |---------------0---------------0-----------------0-| |---------------------------------------------------| |--0------------2---3-----------2----0------------2-| |-0--2--3--5--3--2---0----------------0-0--9---6----0---------------| |--------------------1----------------0-0--10--8----0----1--0-------| |--------------------4-----------------------------------2--0-------| |--------------------2----------------------------------------------| |--------------------0-----------0----------------------------------| |-3--------2--------------0--3---------------------------------0----| |---2--3--5--3--2----0-------0--0---9---6---0------------| |--------------------1-------0--0---10--8---0-----1--0---| |--------------------4----------------------------2--0---| |--------------------2-----------------------------------| |--------------------0-----------------------------------| |---------2------------------------------------------0---|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash