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|---------------------------------------| |---------------------------------------| |-2-4-4h5-5-5-5--4----------2-2/4\2--2~-| |------------------5--5\2-2-------------| |---------------------------------------| |---------------------------------------| |----------------------------------------| |---------5-5-5--3-----------------------| |-2-4-4h5-----------4~--4\1-1--2-0-2/4-2-| |----------------------------------------| |----------------------------------------| |----------------------------------------| |-----------------------------------| |-----------------------------------| |-2-4-4h5-5-5-5--4----------2-2h4-2-| |------------------5--5\2-2---------| |-----------------------------------| |-----------------------------------| |-----------------------------------------| |---------3/5-5-5--3----------------------| |-2-4-4h5------------4~--4\1-1--2-0-2-4-2-| |-----------------------------------------| |-----------------------------------------| |-----------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash