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|--------------------------------------------| |--------------------------------------------| |--------------------------------------------| |--------2--------------4--------------------| |-0--3h4---4--0--2--4/5---5-2---------2------| |------------------------------0--3h4---4--0-| |----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |--------2----------2----------2----------4----------4-----| |-0--3h4---4-0--3h4---4-0--3h4---4-2--4/5---5-2--4/5---5---| |--------------------------------------------------------0-| |--------------------------------------------| |--------------------------------------------| |--------------------------------------------| |---------------------------2----------2-----| |-----2---0------2---0--3h4---4-0--3h4-----0-| |-3h4---4----3h4---4---------------------0---|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash