* This content is licensed by BMI
|----------------------------------------------------------------| |----------------------------------------------------------------| |-------0--------0------0------0-------0------0-----0-----0------| |-----2---2--------2------2----------0---0------0-----0----------| |---3--------3--------3------3-----------------------------------| |----------------------------------3--------3-----3-----3--------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-------0--------0------0------0-------0------0-----0-----0------| |-----2---2--------2------2----------0---0------0-----0----------| |---3--------3--------3------3-----------------------------------| |----------------------------------3--------3-----3-----3--------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-------0-----0-------0-----0------0-----0------0-----0----------| |-----2---2---------4---4--------2---2--------2---2--------4-----| |---3-------3-----5-------5-----------------3-------3----5-------| |------------------------------0-------0---------------------3---|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash