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|---10-10p7---10----9h10---12--10-9------10--10-7--10-| |-----------------------------------12----------------| |-----------------------------------------------------| |-----------------------------------------------------| |-----------0-----------0-------------------------0---| |-0---------------0---------------------0-------------| |---9h10-----------------------------------------------| |---------12-10/7-7-8-10------8-7h8p7----7-8-10-12--10-| |-------------------------------------9----------------| |------------------------------------------------------| |--------0---------------0---------------0-------------| |-0------------------0------0----------------------0---| |--------9---------------------------------------------------| |-----12---12--10-8-7----7h8p7------------7-8-----10--10-----| |---------------------9--------9-7---7-9--------9------------| |------------------------------------------------------------| |-0-----------0--------------------0----------0----------0---| |---0-------------------0----------------0-----------0-----0-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash