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|--12------10-9----9-10-12-10-9-----10-9----10-9----------| |---------------12-----------------------12------10\8-8---| |---------------------------------------------------------| |---------------------------------------------------------| |-----0------------0------------0-----------0-------------| |-0-----0---------------------0---0---------------------0-| |------7--10--7-9-----------7--9----7------------| |-----------------10--8----------10---8----------| |---------------------------------------9--9-7-9-| |------------------------------------------------| |-0------0--------------0-----0---------------0--| |---0----------------0----0-------------0--------| |------------7-----------------------------------------------| |---------8----8-10-7------------------7-8-10---8p7----------| |---9-7-9-------------9-9-7-9----9-7-9--------------9--7-----| |------------------------------------------------------------| |------0-------------------0--------0---------0----------0---| |-0----------0--------0--------0-----------0----------0----0-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash