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--6---6--6--6--------4--4---4(16)HA---4----------7--7--6--6-- --7------------7--7-----6--------------4------4-------------- --6---------------------6---------------4-------------------- --4--------------------------------------6------------------- ------------------------4-----------------6------------------ -------------------------------------------4----------------- --4--4---4(16)HA--6---6--6--6--------4--4---4(16)HA---4------ -----6------------7------------7--7-----6--------------4----- -----6------------6---------------------6---------------4---- ------------------4--------------------------------------6--- -----4----------------------------------4-----------------6-- -----------------------------------------------------------4- -----7--7--6--6--4------------------------------------------- --4--------------6--6-------------------7-------------------- -----------------6---6------------------8-------------------- ----------------------6-------------4---8-------------------- -----------------4-----4------4--6------6-------------------- ---------------------------6---------------------------------
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash