* This content is licensed by BMI
|----------------------------------------------------------------| |---------------------13--------------9-9-9----------------------| |11b13-11b13r11-9-----------11--------------9-9-9----------------| |------------------------------13-13\-------------9-9-9-7-7-7----| |------------------11----11--------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |--------------------13-----------------15b17-15p0-15p0-15p0-15p0| |11b13-11b13r11-9----------11h13p11------------------------------| |-----------------------------------13---------------------------| |-----------------11----11---------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |15p0-15p0-10-9---10-9-------------------------------------------| |---------------9------9-----------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash