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|----------------------------------------------------------------| |-5-5-x-x-x-5---------3-3-x-x-x-x-6-6-x-x------------------------| |-5-5-x-x-x-5-5h7p5---4-4-x-x-x-x-7-7-x-x------------------------| |-7-7-x-x-x-5-------7-5-5-x-x-x-x-7-7-x-x------------------------| |-----x-x-x-3-------------x-x-x-x-5-5-x-x------------------------| |-5-5-----------------3-3----------------------------------------| |----------------------------------------------------------------| |-------x-x-----x-x-------x-x-----x-x----------------------------| |-------x-x-5-5-x-x-------x-x-7-7-x-x----------------------------| |-7-7-7-x-x-5-5-x-x-5-5-5-x-x-7-7-x-x----------------------------| |-7-7-7-x-x-3-3-x-x-5-5-5-x-x-5-5-x-x----------------------------| |-5-5-5-------------3-3-3----------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash