* This content is licensed by BMI
|----------------------------------------| |-13h15--13---------------3--------------| |------------15--12----------3h5-3-------| |--------------------15-------------5--3-| |----------------------------------------| |----------------------------------------| |----------------------------------------------3-| |-13h15--13---------------3--------------3--5----| |------------15--12----------3h5-3---------------| |--------------------15-------------5------------| |------------------------------------------------| |------------------------------------------------| |------------------------------------------------------| |------------------------------------------------------| |-3-3-5-5-----3-3------------5/7-5--2h3-2-2h3-2-5h7-5~-| |---------5-5------3-3--5----3/5----3---3-3---3--------| |-----------------------5------------------------------| |------------------------------------------------------| |----------------------------------------------------| |--------------------------------6-8-6---------------| |-------3-3----------------------7------5h7-5--3-----| |-5-3-5-----3-3--5-5-------3~---------------------5~-| |---------------------1-1--5~------------------------| |----------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash