* This content is licensed by BMI
|--------------------------------------------------------------| |--------------------------------------------------------------| |-9-9-9-9-9--11--7-7--9-9-9-9-9-9--11--7--x-x------------------| |-x-x-x-x-x--x---x-x--x-x-x-x-x-x--x---x--x-x------------------| |-7-7-7-7-7--9---5-5--7-7-7-7-7-7--9---5--x-x------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-9-9-9-9-9--11--7-7-7-7--9-11-7-14-14-14-14-14-14-14----------| |-x-x-x-x-x--x---x-x-x-x--x-x--x-x--x--x--x--x--x--x-----------| |-7-7-7-7-7--9---5-5-5-5--7-9--5-12-12-12-12-12-12-12----------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash