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|--------------------------------------------------------------| |--------------------------------------------------------------| |-4-4--6-6--8-8--3-3--4-4--6-6--8-8--3-3-3--4-4--6-6--8-8------| |-x-x--x-x--x-x--x-x--x-x--x-x--x-x--x-x-x--x-x--x-x--x-x------| |-2-2--4-4--6-6--1-1--2-2--4-4--6-6--1-1-1--2-2--4-4--6-6------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-4-4-4-4-4-4---4-4--6-6--8-8----------------------------------| |-x-x-x-x-x-x---x-x--x-x--x-x----------------------------------| |-2-2-2-2-2-2---2-2--4-4--6-6----------------------------------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash