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|-----------0----0-0---0---0-0------------0-3b4-0--------------| |-----------0----0-0---0---0-0--------------------3b5-0--------| |--2--4--------------------------2--4--------------------------| |--2--4--------------------------2--4--------------------------| |--0--2--------------------------0--2--------------------------| |---------0----0-----0---0--------------0----------------------| |--0-3b4-0-----------------------------------0----0-0---0---0-0| |----------3b5-0-----------------------------0----0-0---0---0-0| |------------------6---4---2---1---2---4-----------------------| |------------------6---4---2---2---2---4-----------------------| |------------------4---2---0---2---0---2-----------------------| |------------------------------0-----------0----0-----0---0----|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash