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|--------------------------------------------------------------| |------------------9-------------------------9-----------------| |--6-8---8/10-8-10---10~----6-8---8/10--8-10---10-~------------| |--------------------------------------------------------------| |--4-6---6/8----------------4-6---6/8--------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--13p9h11p9h14p9h13p9h11p9h13p9h11p9---14b13-14b13------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |---11-----11-----11-----11-----13-----13----------------------| |---14b16--14b16--14b16--14b16--16b18--16b18-------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash