* This content is licensed by BMI
|--------------------------------------------------------------| |--------------------------------------------------------------| |-----------------------------7--------------------------------| |-7h9~~----------7--9----7--9----9-----------------------------| |------------~9--------9---------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-pr11r9p7--------7--------------------------------------------| |----------9-7--9----9-----------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-10b12-10-7--------7--7--5------------------------------------| |-------------10b12----------7-6-5-----------------------------| |----------------------------------7-4---7-7-5-----------------| |--------------------------------------7-----------------------| |--------------------------------------------------------------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash