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|---|-------|----------------------------------------------------| |---|-------|----------------------------------------------------| |-0-|-(48x)-|-2--4--4/5--4--2--2h4--2--0--2--0-----0--------0----| |---|-------|-----------------------------------3-----2--3-----2-| |---|-------|----------------------------------------------------| |---|-------|----------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |----------------------------------------------------------0--2-| |-3--0--2-----0-----------------------------------0--2--3-------| |----------3-----2--3--0--2-----0--------0--2--3----------------| |----------------------------3-----1--3-------------------------| |----------0--1-----0--1-----0--1--3-| |-0--1--3--------3--------3----------| |------------------------------------| |------------------------------------| |------------------------------------| |------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash