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|-3-3-1-0---------8-8-8-12-12-8-10-10-8--7-----------------------| |-5-5-3-1-----------------------12-12-10-8-----------------------| |-----------------9-9-9-12-12-9----------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-7-7-7-10-10-7-8--8--7-5---------8--8--8--7-5-3-3-3-7-----------| |-8-8-8-12-12-8-10-10-8-5---------10-10-10-8-6-5-5-5-8-----------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-------------10-------------------------------------------------| |--------8/10----------------------------------------------------| |-----7----------------------------------------------------------| |-5/7------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash