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|-4--------2-------9-6--2-4--------2-------9-6--2-| |-4-4------2-7h9p7------2-4-4------2-7h9p7------2-| |-4---4----3------------3-4---4----3------------3-| |-6-----6--4------------4-6-----6--4------------4-| |-6--------4------------4-6--------4------------4-| |-4--------2------------2-4--------2------------2-| |-4--------2-------9-6--0--2--4--------2-------9-6--2-| |-4-4------2-7h9p7------0--2--4-4------2-7h9p7------2-| |-4---4----3------------1--3--4---4----3------------3-| |-6-----6--4------------2--4--6-----6--4------------4-| |-6--------4------------2--4--6--------4------------4-| |-4--------2------------0--2--4--------2------------2-| |-4--------2-------9-6--0--2-| |-4-4------2-7h9p7------0--2-| |-4---4----3------------1--3-| |-6-----6--4------------2--4-| |-6--------4------------2--4-| |-4--------2------------0--2-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash