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|------------------------------6-| |------6-----6-----6-----8-------| |-5h7-----7-----7-----7-----7----| |--------------------------------| |--------------------------------| |--------------------------------| |----------------------------5-------| |----6-----6-----6-----8-----------8-| |-7-----7-----7-----7-----7-----7----| |------------------------------------| |------------------------------------| |------------------------------------| |----------------------------6-| |----6-----6-----6-----8-------| |-7-----7-----7-----7-----7----| |------------------------------| |------------------------------| |------------------------------| |----------------------------5-------| |----6-----6-----6-----8-----------8-| |-7-----7-----7-----7-----7-----7----| |------------------------------------| |------------------------------------| |------------------------------------| |----------------6--------------------------| |----6-----8-----------8-----6-----8-----8~-| |-7-----7-----7-----7-----7-----7-----7-----| |-------------------------------------------| |-------------------------------------------| |-------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash