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|---------0---------------0---------------0---------------0------| |-----------0---------------0---------3-----3---3-----3-----3---3| |-------0-----0---------0-----0-----2---2-----2-----2---2-----2--| |-----2---------0-----0---------0-0---------------0--------------| |---2---------------2--------------------------------------------| |-0---------------3----------------------------------------------| |-----------0---------------0-----0-0-0--0-0---------------------| |-----3-------3---3-----3-----3---2-2-2--3-2---------------------| |---------0-----0---------0-----0-2-2-2--2-2---------------------| |---2-----------------2-----------2-2-2--2-2---------------------| |-3-----------------3-------------0-0-0--0-0---------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash