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|--------------------------------------------------------------| |--2--2--0--2--0--2----2--2----2--2--0--2--0--2----2--2--------| |--3--3--3--3--3--3----3--3----3--3--3--3--3--3----3--3--------| |--2--2--2--2--2--2----2--2----4--4--4--4--4--4----4--4--------| |--0--0--0--0--0--0----0--0----4--4--4--4--4--4----4--4--------| |------------------------------2--2--2--2--2--2----2--2--------| |--------------------------------------------------------------| |----2------------------------2--------------------------------| |--5---5--3----3---3--3-----5---5--3----3---3--3---------------| |--2------4----4---4--4-----2------4----4---4--4---------------| |--2------4----4---4--4-----2------4----4---4--4---------------| |--4------------------------4----------------------------------| |--2------3----3---3--3-----2------3----3---3--3---------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash