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|-14b16-14-14-14-16-14-------9-12-8/9\------------------------| |-----------------------/12-------------12b14--12-12-12-14-12-| |-------------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |---------------------------------------------------| |----------------------12-10------------------------| |-11b13-13--13-13--11---------13-11--11-11-11-13-11-| |---------------------------------------------------| |---------------------------------------------------| |---------------------------------------------------| |-----------------------------------------------10-10b12-| |-12h13p12--11h12p11--10h11p10--9h10p9--8h9p8------------| |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash