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|----------------12-------------------------------| |-------------12----15-12-------------------------| |-------14b16-------------15-14-12--14--12--14b16-| |-------------------------------------------------| |-------------------------------------------------| |-0--0--------------------------------------------| |----------------------------------------| |-----3----------------------------------| |-2/4---4/2p0----------------------------| |----------------2p0---2p0---2p0---2p0---| |--------------2-----2-----2-----2-----2-| |----------------------------------------| |----------12--------------15------------------------------------| |-------12----15b17--15b17----15b17r15-17-20b24b20--17----20-17~-| |-14b16------------------------------------------------18--------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----19b2\1-2\1r20-20r19-17--17------------------------------19----| |-17---------------------20--20-17-17-19-19b2\1-19b2\1-19b22----17-| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash