* This content is licensed by BMI
|------------------------------------------------| |------------------------------------------------| |-2--2--2--9\2--2---2--2--2--9\2--2--------------| |-2--4--2--7\2--2---2--4--2--7\2--2--3-2-0-----0-| |-0--0--0--0----0---0--0--0--0----0--------0h2~--| |----------0-----------------0-------------------| |------------------------------------------------| |------------------------------------------------| |-2--2--2--9\2--2---2--2--2--9\2--2--------------| |-2--4--2--7\2--2---2--4--2--7\2--2--3-2-0-----0-| |-0--0--0--0----0---0--0--0--0----0--------0h2~--| |----------0-----------------0-------------------| |-----------------------------------| |-----------------------------------| |-2--2--2--9\2--2---2--2--2--9\2--2-| |-2--4--2--7\2--2---2--4--2--7\2--2-| |-0--0--0--0----0---0--0--0--0----0-| |----------0-----------------0------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash