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|-----------------------------------------------2-0h2p0----------| |-----3---------3---------3---------3---------3---------3--------| |-------0---------0---------4---------4-----2--------------------| |---2-----2---2-----2---4-----4---4-----4-0----------------------| |---------------------2---------2--------------------------------| |-0---------0----------------------------------------------------| |---------------------------------|-2-|-2-|-0-|------------------| |-----2-----------3---------3-----|-3-|-3-|-2-|------------------| |-------2-----------0---------0---|-4-|-2-|-2-|------------------| |---2-----------2-----2---2-----2-|-4-|-0-|-2-|------------------| |-0-------------------------------|-2-|---|-0-|------------------| |---------3-2-0---------0---------|---|---|---|------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash