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|-3p2------3p2------------------------3-2------3-2-----| |-----3-0------3-0------------------------3-0------3-0-| |-----------------------2--2h4-2--0--------------------| |------------------------------------------------------| |-------------------------------------3--------3-------| |-0--------2---------3---------------------------------| |------------------| |------------------| |---2-2p0--------0-| |------------4p0---| |-2----------------| |------------------| |--------------------------|------| |-0----3-----3-----1-----0-|------| |-0----2-----0-----0-----2-|------| |-2----0-----0-----2-----0-|-(2x)-| |------------------3-----2-|------| |-0----2-----3-------------|------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash