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|----------------------------------------| |----------------------------------------| |----------------------------------------| |----------------------------------------| |-0--0-0--3-0-1-0--1-0-0-0---------------| |-0--0-0--3-0-1-0--1-0-0-0--0-0-0--0-0-0-| |---------------------------------------------| |-------------------6--5----------------------| |-------------------5--5----------------------| |-------------------5--5--0-5-3~-2h3p2h3p2----| |-0--0-0--3-0-1-0---------------------------3-| |-0--0-0--3-0-1-0-----------------------------| |----------------------------------------| |----------------------------------------| |----------------------------------------| |----------------------------------------| |-0--0-0--3-0-1-0--1-0-0-0---------------| |-0--0-0--3-0-1-0--1-0-0-0--0-0-0--0-0-0-| |-----------------------------------| |-------------------6--6-6---8--8-8-| |-------------------3--3-3---5--5-5-| |-----------------------------------| |-0--0-0--3-0-1-0-------------------| |-0--0-0--3-0-1-0-------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash