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|----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |--6-6-6-6---6-6-6-6-6---6-6-6-6---6-6-6-6-6---------------------| |--6-6-6-6---6-6-6-6-6---6-6-6-6---6-6-6-6-6---------------------| |--4-4-4-4---4-4-4-4-4---4-4-4-4---4-4-4-4-4---------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |--6-6-6-6---6-6-6-6-6-------------------------------------------| |--6-6-6-6---6-6-6-6-6---6-6-6-6---6-6-6-6-6---------------------| |--4-4-4-4---4-4-4-4-4---6-6-6-6---6-6-6-6-6---------------------| |------------------------4-4-4-4---4-4-4-4-4---------------------| |----------------------------------------------------------------| |--------------------------------------------------b13r11-9------| |--8-8-8-8---6-6-6-6-6-------6-6-6-------6-6-6-------------------| |--8-8-8-8---6-6-6-6-6-------6-6-6-------6-6-6-------------------| |--6-6-6-6---4-4-4-4-4-------6-6-6-------6-6-6-------------------| |------------------------2/4-4-4-4---2/4-4-4-4-------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash