Kane Brown

Kane Brown

Be Like That

Difficulty: Easy

* This content is licensed by BMI

|----0-0-x-x-0-----0-0-x-x-0-----3-3-x-x-3-----5-5-x-x-5---------| |----0-0-x-x-0-----0-0-x-x-0-----1-1-x-x-1-----4-4-x-x-4---------| |----0-0-x-x-0-----0-0-x-x-0-----0-0-x-x-0-----5-5-x-x-5---------| |----2-2-x-x-2-----2-2-x-x-2-----2-2-x-x-2--4--4-4-x-x-4---------| |----2-2-x-x-2-----2-2-x-x-2--3--3-3-x-x-3-----------------------| |-0--0-0-x-x-0--0--0-0-x-x-0-------------------------------------| |--------------------------------2-2-x-x-2-----------------------| |----3-3-x-x-3-----3-3-x-x-3-----3-3-x-x-3-----------------------| |----0-0-x-x-0-----0-0-x-x-0-----2-2-x-x-2-----------------------| |----0-0-x-x-0-----0-0-x-x-0--0--0-0-x-x-0-----------------------| |--------x-x-----------x-x---------------------------------------| |-3--3-3-----3--3--3-3-----3-------------------------------------|

h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash

Be Like That chords