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|---------------------7-------------------------------------------| |-----7h8p7---7h8p7-------------8-10-10b12-10-8-8h10-10-8-10-8-10-| |-8h9-------9-------9---9-9-4/9----------------9------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-----------------------------------------------------------------| |-14h15-12h14-10h12-8h10--7-7h8p7----7------| |---------------------------------10-----8~-| |--------------------------------------9----| |-------------------------------------------| |-------------------------------------------| |-------------------------------------------| |-------11-14-12-11-------------------------------------| |----12-------------13-12----------------------12h13p12-| |-11----------------------14-11h12p11----11-------------| |-------------------------------------14----13----------| |-------------------------------------------------------| |-------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash