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|--------------------------------------------------------------| |--10-10-10--9-9-9--7-7-7--5-5-5---9-9-9-----------------------| |--11-11-11--9-9-9--7-7-7--6-6-6---9-9-9-----------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--9-----------9-----------------9-10-10-10-9-9-9--------------| |----9h11p9------9h11p9----------9-11-11-11-9-9-9--------------| |-----------11----------11-9-11--------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--7-7-7-7--/12-12-12-12---------------------------------------| |--7-7-7-7--/10-10-10-10---------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash