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|-5--5-5--8-8-8--5-5-5--5-5------------------------------------| |-5--5-5--5-5-5--5-5-5--5-5------------------------------------| |-5--5-5--5-5-5--5-5-5--5-5----4-7-7p4---4-7-7p4---4-7-7p4-----| |-7--7-7--7-7-7--7-7-7--7-7--6---------6---------6---------6-7-| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------| |-----5---5-------5---5----------------------------------| |---5---5---5---5---5----7-4-------4-7-7p4---4-7-7p4-----| |-7-----------7--------------6~~-6---------6---------6-7-| |--------------------------------------------------------| |--------------------------------------------------------| |-----------5------0----0----------------7-10-8-7----8-7---------| |-----5---5---5------10----10--9-------9----------10-----10-9-10~| |---5---5-------5----------------9---9---------------------------| |-7--------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash