Juan Martin

Juan Martin

Zorongo

Difficulty: Advanced

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Capo 2 e|--------------------------------------------------------| B|--------1-1------------2---------1-1------------2-------| G|------0---0------------2-------0---0------------2-------| D|----2-----2------------2-----2-----2------------2-------| A|--3-------3--1-1h3p1-0-----3-------3--1-1h3p1-0---------| E|--------------------------------------------------------| e|--------------0-----0-----------------------------------| B|------------------------------------------------2-------| G|------------------------------------------------2-------| D|-----------0--2--0--2--0----0---0---------------2-------| A|--0--1--3-----------------3---3---3--1-1h3p1-0----------| E|--------------------------------------------------------| e|--------------0-----0-----------------------------------| B|------------------------------------------------------2-| G|------------------------------------------------------2-| D|-----------0--2--0--2--0----0h2p0---0h2p0-------------2-| A|--0--1--3-----------------3-------3-------3-1-1h3p1-0---| E|--------------------------------------------------------|

h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash

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