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|--2-x---2-x---2-x---2-x---------------------------------------| |----x-3---x-----x-3---x---2-x----2-x---2-x----2-x-------------| |----x-----x-----x-----x-----x--2---x-----x--2---x-------------| |--0-x-0---x---0-x-0---x-----x------x-----x------x-------------| |--------------------------0-x--0---x---0-x--0---x-------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--3-x---3-x---3-x---3-x---0-x---0-x---0-x----0-x--------------| |----x-4---x-----x-4---x-----x-0---x-----x--0---x--------------| |----x-----x-----x-----x-----x-----x-----x------x--------------| |--2-x-2---x---2-x-2---x-----x-----x-----x------x--------------| |--------------------------3-x-3---x---3-x-3----x--------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash