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|---------------------------------------------------| |---------------------------------------------------| |---1-1----1-1----1-1----1-1----1-1----1-1----------| |-2-2-2----0-0--2-2-2----0-0--2-2-2----0-0--2-------| |--------2-------------2-------------2--------------| |---------------------------------------------0-2-4-| |----------------------------|----------------------------| |----------------------------|----------------------------| |---2-2----2-2----2-2----2-2-|---1-1----1-1----1-1----1-1-| |---2-2----2-2----2-2----2-2-|-2-2-2----0-0--2-2-2----0-0-| |-0-------------0------------|--------2-------------2-----| |--------0-------------0-----|----------------------------| |----------------------------------------------| |-----------------------------0-------------0--| |-2-2-2----2-2----2-2----2-2--1-1-1----1-1--1--| |-1-1-1----1-1----1-1----1-1--2-2-2----2-2--2--| |-2-------------2--------------------2---------| |--------2-------------2-----------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash