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|--------------------------------------------------------------------| |-----------6---6-----5----------------------------------------------| |----------------------------------7---7----5-----------3---3----2---| |--------/7---7----5------------------------------------------------| |-/5-5--------------------------/8---8---7-----3-3--/5---5---3-----| |-------------------------3-3----------------------------------------| |------------------------| |----------6---6-----8---| |------------------------| |-------/7---7---7/8-----| |--5-5-------------------| |------------------------| 2x |------------------------------------------------------| |-----------11-----11------11------------10----10----8-| |------------------------------------------------------| |------/12-----12------11-----------/10----10----8---| |------------------------------------------------------| |--3-3--------------------------8-8--------------------| |--------------------------------------------| |----------8---8----6----------6---6--5------| |----------------------------------------5h7-| |-------/8---8---7---------/7---7-----------| |--8-8-----------------5-5-------------------| |--------------------------------------------| 2x
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash