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|-<12>---------------------------------------------------------| |-<12>----------------2h3-2h3--2h3-2-------------8-------------| |-<12>--------2h4-2h4--------------------4--6--7---------------| |---------2h4------------------------2-4-----------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |------9---10---12----------12--9---------9--------------------| |--10--10--12------12----12-------10---10----------------------| |--11-----------------12-------------9-------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-10--------10---7-------7--5---3--2---------------------------| |-12-----10--------8---8----7---5--3-3--3--3-------------------| |-----12-------------9------7--------4--2--0---------2---------| |---------------------------------------------4--0h4---4-0-----| |--------------------------------------------------------------| |--------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash