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|----2--3-2--0-----0-2----------0--------------------------------| |--5------------4-------0--2-4-----3-1--0---------------0--------| |-------------------------------------------2-0-----0-2---2-0----| |------------------------------------------------4-------------4-| |---------0-----2--0------------------------0----2--0-------2----| |--3-2--0---------------3--2----0--2----3---------------3--------| |-----0-2--3-2-0-----0-2---------0--------------------------| |-----------------4-------0--2-4----3-1--0------------------| |-------------------------------------------2--0-------0--0-| |-2-----------------------------------------------4-------0-| |------------0----2--0----------------------3-----5--5----2-| |-0-2-3-2--0--------------3--2---0--2----3----------------3-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash