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|--------------------------------------12------------------------| |------------------------------------------------12--------------| |-----------------7~------9-11--11b13------11b13----13r11p9------| |-----------------6~-9h11------------------------------------11~-| |-----------------7~---------------------------------------------| |-0-3-ha2b3r2~p0-------------------------------------------------| |----------------------------------| |----------------------------------| |----------------9~----------------| |-pm9-pm9--9h11------pm9-pm9--9h11-| |----------------------------------| |----------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |-9-9-9-9\8--8-8-8\6--6-6-6\4--4-4-4\2--2-2-2\1--1-------| |---------------------------------------------------2----| |------------------------------------------------------0-| |--------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash