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|---------0----------2--------2-----4-----0-------------2-----4-| |-------0----------2--------5------------------5------5---------| |-----2----------4--------4------4-----4-----4------4------4----| |---2----------4------------------------------------------------| |-0----------2------------------------------------4-------------| |-----------------------0---------------------------------------| |----0-----7----5----4--------2-----4----------------------------| |--------9----7----5--------2-------------5-------------5------5-| |-4-----------------------2------2-----2-------6------4------4---| |--------------------------------------------7------4------4-----| |-----------------------0-------------------------2--------------| |----------------------------------------------------------------| |---------------------| |--------4------------| |------4----4-----4h6-| |-4--4----------------| |---------------------| |--------------0------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash